#Klevgr reamp pro
#Klevgr reamp software
#Klevgr reamp simulator

What KlevgrГ¤nd say separates STARK from other amp simulators is that the cab, amp and ambience modules are built on their own algorithms that вЂњdoesnвЂ™t involve any convolution or FFT analysis.вЂќ The modules process all audio separately, which allows you to combine different amplifiers with different cabinets and rooms to create hundreds of unique sounds. STARK is packing four distinct modules вЂ“ Amplifier, Cabinet, Room and a Pedal board. YouвЂ™re getting a lot of bang for your buck here.

#Klevgr reamp simulator

This is important as at the time of writing IвЂ™m pretty sure STARK is one of, if not the the only AUv3 amp simulator available. (IвЂ™m looking at you, Amplitube)ДЄs I mentioned previously, itвЂ™s available to Apple music makers on both macOS as an Audio Unit plugin and on iOS as an Audio Unit Version 3 app. Despite its clean, straightforward looks, uncomplicated set of controls and modest price tag, STARK somehow manages to sound just as good (if not better) than a lot of other high profile amp sims available today. STARK is a fully fledged amp simulator aimed squarely at guitarists, bass guitarists and synth/keyboard/midi controller users.

#Klevgr reamp software

REAMP works both as a standalone app and as an AUv3 plugin.ThereвЂ™s a lot of buzz in the Mac and iOS music making scenes surrounding software company KlevgrГ¤ndвЂ™s latest release.ДЄfter spending a few days with both the iOS and macOS versions of STARK, their вЂridiculously slick and playableвЂ™ amp simulator, iвЂ™m happy to report that any and all hype surrounding this thing is entirely justified. Seven handpicked profiles based on gear we love available.ДЇull documentation available inside the app or at.To prevent this, set the HARMONICS switch to SOME or FEW. Since weвЂ™re in the digital domain there can be some added aliasing when distorting the signal too much, resulting in an unpleasant high frequency boost. Another is to put it on the mix, or a bus. One approach is to put it on several tracks with a more subtle setting which makes the essence of the gear simulated add upp. The output can span from lo-fi to high-end hifi. Since there are several models available, this one can be used on almost any type of audio in any genre. Tip: Run a Fender Jazz bass through it and your neo soul licks will sound just like theyвЂ™re supposed to. One of the developers friends dad had an old bass amplifier that we borrowed and profiled.

#Klevgr reamp pro

The guitar amp used is a well known pro amp used by several pro guitar players, and Just like the Preamp Tube profiles, these are recorded with two different input gain levels. Used on only one channel, this profile is very subtle, but the impact adds up when several channels are used simultaneously. These two profiles are captured from a high end tube microphone preamp with two different input gain levels (normal gain on the Clean version and a boosted level on the Drive version). Adds some subtle tape saturation that oozes mid 70вЂ™s. Set to one channel mode, there was plenty of dynamic bandwidth to capture on this one. This profile adds some nice grit in the lower mids and rolls off the higher spectrum in a very pleasant way.ДЄ high quality tape reel machine was used for this profile. This data is used to transform input audio to output audio.ДЄ consumer cassette deck produced in the mid 80вЂ™s. The 7 models available are based on real analog gear individually measured in two dimensions gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency.

This effect is a complex spectral saturation processor simulating a set of different analog gear in a new and unique way.